“For Patricia” is a dance piece where the choreographic and musical composition is generated in real-time with AI and through audience interaction. The piece is an ode to postmodernism in Dance. “For Patricia”, or for Trisha, is in honor of one of the inventors of postmodernism Trisha Brown. Expanding on the legacy of Brown and…

“Yugen” (Jap. “mystery and depth”) is a pas de deux dance performance of the dancer Christine Bonansea with several representations of herself in a feedback loop. Her body transforms from human to abstract figurines to superhuman VR avatar. The avatar is bouncing back onto the dancer’s body, who wears a capture (MC) suit that also…

“Collective Cadence” investigates the complex dynamics between mass dances, individual expression, and control systems. The project emphasizes rhythm’s crucial role in initiating, disseminating, and encapsulating collective desires and fears. Intertwining elements of history, anthropology, ethnomusicology, and AI co-creation, it scrutinizes how performing rhythm functions as a societal response mechanism, supporting, evading, or combating dominant structures.…

Step into an immersive dance world with Max Levy and Celia Bétourné’s Temporal Spaces, a multimedia installation that empowers the audience to become the dancer, choreographer, and viewer of their own iterative choreographic work. The project emphasizes the interplay between the seen and the unseen, creating unique zones with distinct rules and feedback triggers that…

Stage for Digital, Contagious, and Networked Bodies and Code++ (SFDCANBAC++) Bodies, colorful objects, live-codes and glitter pixels continuously change their constellations on the stage – superimposing and subtracting, grouping and ungrouping – while the abundance of “actors” never arrives to a specific form. The performance is a “petri dish” where something happens as if in the lab…