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Music Responsible AI Event (UAL, 17/7/2024) and MODINA
On 17/7/2024, Nuno Correia (coordinator of MODINA) took part on the panel “Challenges and Opportunities for Music Creation” of the Ethical and Responsible AI Music Making Workshop, organised and hosted by University of the Arts London (UAL). This is part of the Music Responsible AI project, led by UAL, and of which Tallinn University (coordinators…
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OPEN CALL for MODINA Dance & Technology Residencies (2025)
OPEN CALL for duos of European-based dance artists and creative technologists; Deadline to apply: 4/August ABOUT MODINA The project MODINA (Movement, Digital Intelligence and Interactive Audience) aims to expand the creative possibilities for contemporary dance performances, and augment the experience for the audience, using digital technology – with an emphasis on exploring artificial intelligence (AI)…
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MODINA Residencies 2024 – Videos
The 2024 MODINA residencies are now mostly concluded. Residencies concluded in 2024: Collective Cadence, For Patricia, SFDCANBAC++, Temporal Spaces, Yugen. Videos for all 5 MODINA dance & tech residencies from 2024 are now available. You can see them in our website: https://modina.eu/videos/ Or on our YouTube: https://www.youtube.com/@modina_eu More videos out soon, please subscribe to our…
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MODINA Kick-off meeting
On the 20th and 21st of September 2023, the EU co-funded project MODINA (Movement, Digital Intelligence and Interactive Audience) hosted their kick-off event at Tallinn University. For the first time, we gathered together with the five artist duos made up of choreographers and creative technologists, selected from our first call for residencies (from 91 duos…
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For Patricia
“For Patricia” is a dance piece where the choreographic and musical composition is generated in real-time with AI and through audience interaction. The piece is an ode to postmodernism in Dance. “For Patricia”, or for Trisha, is in honor of one of the inventors of postmodernism Trisha Brown. Expanding on the legacy of Brown and…
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Yugen
“Yugen” (Jap. “mystery and depth”) is a pas de deux dance performance of the dancer Christine Bonansea with several representations of herself in a feedback loop. Her body transforms from human to abstract figurines to superhuman VR avatar. The avatar is bouncing back onto the dancer’s body, who wears a capture (MC) suit that also…
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Collective Cadence
“Collective Cadence” investigates the complex dynamics between mass dances, individual expression, and control systems. The project emphasizes rhythm’s crucial role in initiating, disseminating, and encapsulating collective desires and fears. Intertwining elements of history, anthropology, ethnomusicology, and AI co-creation, it scrutinizes how performing rhythm functions as a societal response mechanism, supporting, evading, or combating dominant structures.…
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Temporal Spaces
Step into an immersive dance world with Max Levy and Celia Bétourné’s Temporal Spaces, a multimedia installation that empowers the audience to become the dancer, choreographer, and viewer of their own iterative choreographic work. The project emphasizes the interplay between the seen and the unseen, creating unique zones with distinct rules and feedback triggers that…
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SFDCANBAC++
Stage for Digital, Contagious, and Networked Bodies and Code++ (SFDCANBAC++) Bodies, colorful objects, live-codes and glitter pixels continuously change their constellations on the stage – superimposing and subtracting, grouping and ungrouping – while the abundance of “actors” never arrives to a specific form. The performance is a “petri dish” where something happens as if in the lab…
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Fully-funded PhD in Movement and Computational Creativity
In the scope of the MODINA project, coordinator Tallinn University is offering a fully-funded PhD in Movement and Computational Creativity. Application deadline: 29/June. More information: https://www.tlu.ee/en/dt/applying-phd-school-digital-technologies Description: The aim of the research is to expand the creative possibilities for contemporary dance performances and augment the experience for the audience using digital technology – with an…
