Correia, N. N., & Tanaka, A. (in press). Embodied Interaction and Audio-Visuals in the Performing Arts. In S. Gibson, Y. Breuleux, J. Hyde, & D. Leishman (Eds.), Audio-Visualism: Refraining Relationships Between Sound & Image. Routledge.
Correia, N. N., Hieda, N., Santos, D., Cabral, D., Primett, W., Burloiu, G., Deaconescu, S., Bétourné, C., Levy, M., Sullivan, J., & Fdili Alaoui, S. (in press). Fantasies, Obscurities and (Dis)Connections: Three Case Studies of Dance Artists’ Creative, Embodied and Political Engagement with AI. 10th International Conference on Movement and Computing (MOCO ’26).
Correia, N. N. (in press). How Are Dance Artists Designing with AI in Their Practice? Six Case Studies from the MODINA Project. Proceedings of CHI26 Workshop: Where Is the Body in Designing (Through) AI? Frictions and Opportunities in Integrating AI with Soma Design. CHI26.
Primett, W., & Correia, N. N. (2026). Supporting entrainment using latent space mappings and generative sound feedback during dyadic movement exercises. Proceedings of the Twentieth International Conference on Tangible, Embedded, and Embodied Interaction, TEI ’26, 1–11. https://doi.org/10.1145/3731459.3773328 (open access)
Primett, W., Correia, N. N., Hieda, N., & Matos, A. (2025). Designing for Kinaesthetic Empathy using Data-Driven Movement Matching. 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories (ARTECH 2025). Pre-print link
Correia, N. N., & Primett, W. (2025). Understanding the Use of AI in Contemporary Dance: Perspectives from Practitioners. 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories (ARTECH 2025). Pre-print link
Correia, N. N., & Primett, W. (2024). Best Practices for Technology-Mediated Audience Interaction in Dance Performances.9th International Conference on Movement and Computing, 1–6. https://doi.org/10.1145/3658852.3659083 (open access)